After the subject and beyond Heideggerian ontology,Marion suggests, there is the sheer givenness ofphenomena without condition. In theology, this liberationmeans rethinking God in terms of phenomena such aslove, gift, and excess. In addition to an important essayby Marion, The Reason of the Gift, and a dialoguebetween Marion and Richard Kearney, this book containsstimulating es...(展开全部)

RESUME : Réunit un nombre important de documents inédits (ou devenus introuvables) permettant de penser la genèse et la totalité de l'oeuvre de Jean-Luc Godard en tant que cinéaste, écrivain, plasticien, vidéaste, producteur : synopsis, lettres, press-books, scénarios, documents de tournages, etc.). Contributions de quelques artistes qui entretiennent avec cette oeuvre un rappo...(展开全部)

Some thirty years ago filmmaker Jean-Luc Godard told critic Gene Youngblood, I am trying to change the world. He has pursued his revolution in works ranging from the explosive Breathless to the eloquent Contempt to the controversial Hail Mary and the postmodern Histoire(s) du cinema, shaking up conventional formulas with boldly innovative ap-proaches to every aspect of cinema a...(展开全部)

大卫·斯特里特，美国长岛大学副教授，《基督科学箴言报》资深影评人。